Loading and unloading are next to the main job only. There are various aspects to be careful. First of all, an expert in the field of sound technologies will promptly and effectively respond to the needs of an engineer. Here, being aware means paying attention. On the other hand, an engineer should not encounter complications when communicating with a technician.
The technician should follow the example of an engineer and constantly concentrate on the engineer if he wants something. In fact, the program engineer has many concepts that he can offer during the show for which he is responsible. To offer professional results, an engineer should be able to focus on different things at the same time, such as sound, audience and artists.
The only thing you should not focus on is the attention of technology.
If an engineer encounters difficulty in communicating with a technician, this means that the technician cannot perform his duties professionally. The main objective of technology is to be alert and alert. Engineers should never leave their places after the arrival of artists. And sound technology must also remain attentive to the needs of artists.
While artists calm down, sound technology needs to provide them with different things to ensure effective sound control. First, sound technology should provide each artist with their own cables and instruct them accordingly. Sound engineers must tell artists that they should not touch their equipment and that they would not touch their equipment without an established reason.
Singers often want to use microphones; which acoustic engineers clearly know and agree with. Artists should never adjust microphone support. But if this happens, it means that sound technology is not doing its job efficiently. In fact, an artist should concentrate only on his performance and instruments.
The sound system must adjust the monitors to suit the needs and preferences of the artist. Many times, they want them to be closer, and sometimes a little far, etc. In addition, it is necessary to keep monitors away from the feedback zone, as this can cause feedback.
This is important because many sound engineers mistakenly believe that they should fully master the original sound and allow the listener to hear only sound from the public address system. This creates an incredibly loud and annoying sound environment that usually suffers from annoying comments and acoustic problems.
Conclusion
It is true that sound systems for rock stadium concerts may require work at a level that is many times higher than the sound sources on stage (performer instruments). However, this high-volume level is only necessary when trying to provide sound to thousands of people. In addition, these large systems are specifically designed for such applications. In a small place, a finer approach is the only way to achieve good quality.
